In the story, D. H. Lawrence uses language and repeated symbols to create a tense atmosphere that matches Schoner’s increasingly dire situation. While the imbalance of power between the sadistic officer and the vulnerable orderly is stressed, the author also creates the impression of suppressed hostility on Schoner’s part. The overtones of sexual desire on the officer’s part that are similarly suppressed likewise contribute to the aura of foreboding: something or someone is going to explode.
The association of wine with blood, as the former is spilled, suggests that blood will be spilled later. Drinking seems to represent sexuality, as the officer’s inability to act on his desire is compared to thirst, while Schoner’s rejection of that desire parallels his attack on the officer’s throat. Throughout the story, each character’s action generates a reaction by the other, suggesting the codependency that is finally played out when both men die together.
Tuesday, November 4, 2014
Discuss the style and technique of “The Prussian Officer.”
Subscribe to:
Post Comments (Atom)
What is the theme of the chapter Lead?
Primo Levi's complex probing of the Holocaust, including his survival of Auschwitz and pre- and post-war life, is organized around indiv...
-
The statement "Development policy needs to be about poor people, not just poor countries," carries a lot of baggage. Let's dis...
-
"Mistaken Identity" is an amusing anecdote recounted by the famous author Mark Twain about an experience he once had while traveli...
-
Primo Levi's complex probing of the Holocaust, including his survival of Auschwitz and pre- and post-war life, is organized around indiv...
-
De Gouges's Declaration of the Rights of Woman was enormously influential. We can see its influences on early English feminist Mary Woll...
-
As if Hamlet were not obsessed enough with death, his uncovering of the skull of Yorick, the court jester from his youth, really sets him of...
-
In both "Volar" and "A Wall of Fire Rising," the characters are impacted by their environments, and this is indeed refle...
No comments:
Post a Comment