Sunday, August 4, 2013

What are two limitations of democracy?

Democracy has various critics from numerous different and sometimes diametrically opposed political orientations. Traditionally, the political spectrum is divided into left and right, but another common dimension articulated by political scientists is the vertical dimension, or authoritarian and libertarian. So it is possible to have libertarian right-wing politics, authoritarian (or anti-democratic) left-wing politics, and vice versa.
It is important to note that there are multiple forms of democracy—for instance, social democracy found in Scandinavian countries, a more direct form of democracy in Switzerland, and a democratic republic found in the United States. There are also pseudo-democracies in certain authoritarian states which only maintain the illusion of being democracies. There is also the economic factor to consider in assessing a democracy—whether it is freely capitalist as in the United States, or more regulated as in certain countries in Europe, or contains certain elements of socialism or social democracy.
So, when speaking of the limitations of democracy, there are always a number of factors to be considered. Strictly speaking, democracy is simply "the rule of the people." This is much more complicated in a modern nation with millions of citizens and sophisticated forms of democratic representation.
Using that definition of democracy as the primary form to assess its limitations, however, there are basic conclusions which one might draw. Because democracy almost always depends on some form of majority rule, this always has implications for political minorities and individual interests. Depending on a number of social factors, this majority force can be manipulated by certain political actors or trends—for instance, demagoguery or what is called "mob rule," a form of group think.
While democracies can be very flexible, they can also become unwieldy in their convoluted forms of representation. However, this is perhaps mostly a problem of large representational democracies, where the processes of election, legislation (particularly legislation, which can become very tiresome), and accountability become involved in bureaucratic labyrinths; at the same time, of course, this can be a counter to more direct forms of democracy (which rely more heavily on referendums, plebiscites, and the like), which may be too impulsive and reactionary.
There are many issues involved in democracy; however, the alternatives based in minority or elite rule depend on an inherent lack of freedom and upholding of privilege.


The two most prevalent limitations to democracy are the rule of the masses, and its course to totalitarianism.
To start, the rule of the mass has been one of the most fundamental concerns when entertaining the idea of democracy. Democracy is, in theory, a one-man one-vote mode of governance. That means everyone within a body politic has the exact same amount of agency as everyone else when deciding policy. Within a body politic there is a disparity of resources, and inevitably that disparity is the many at the bottom have little, and the few a the top have a lot more. If we assume that the primary incentive of voters in a democratic society is economic, that is, the want to obtain and carry out policies which will produce economic benefit for the voter, and if we assume that as a democracy which has as a condition that the majority will get there way, than it follows that the majority of people who have little are going to vote together on policies that will benefit their current economic standings within society. This is not in and of itself a problem, but the problem arises when the policies that the masses (the majority) prioritize are more often than not policies that are antagonistic to efficiency in many sectors, but the mass itself becomes a tyrannical majority. (That is, in theory, democracy is the only mode of governance where the majority can vote the minority into slavery). Couple that with the incredible irrationality of the voter, the psychological fact that when people get into groups they are much more easily persuaded, and an overall lack of education and critical thinking in how politics works, and you have a scary herd of people controlling the whole of society.
Secondly, and this arguably is the most insidious of the two, is ideological tyranny. Democracy must have a free press (and free speech in general) to function. It is the one mode of governance that needs free flowing ideas as a precondition. The issue is that it is almost part of the human condition that we want to suppress alternative ideas, especially if those ideas are perceived as harmful. And based upon the first limitation, the mass rule, once a mass gets into power their first inclination is to suppress alternative, antagonistic, and contradictory ideas. Because they are the mass within democracy they have the ability to do so. They impose a de facto tyranny of ideas. Without the ability for alternative ideas to generate democracy crumbles into an ochlocracy (mob rule) first, and then becomes purely totalitarian where only one idea is allowed, all others must be snuffed out. (Consider the French Revolution and the Reign of Terror as an example of the consequences of a true democracy; it took a tyrant to save France and democracy from cannibalizing itself.)
Democracy has many limitations, and all are reasons why very rarely have we seen historically and presently a pure democracy. Most prefer a Republic in order to maintain order and structure, while some prefer a much more authoritative approach to governing.


There are multiple kinds of democracies such as representative democracies (such as the U.S. - where officials are elected or somehow chosen to represent the people in a society) and direct democracies (where every member of the society has a direct say in governance- early Athens is an example of a direct democracy).
If we are discussing a representative democracy, such as the United States, one limitation is how faithfully representatives are able to work in the interest of their constituencies. Senators may vote in congress for a bill that the community they represent is not in favor of. This could be due to a number of factors, including that a vocal minority communicates a position to the senator that is actively harmful or not in the interest of a less-vocal majority. Another case might be an issue where a constituency is divided: perhaps if half of a constituency is wealthy and the other half is low-income, the positions of each group would be different though they would be represented by one individual. This is to say that the limitation is that one individual may not be able to represent the needs of a large group of people with different interests.
Another limitation is voting practices and access. In the U.S., many states have one day to vote for elected officials and require certain identification. If community members are unable to leave work, get childcare or do not have transportation or I.D., they cannot show up to the polls and therefore the person elected is not representative of the full community they are claiming to represent. This is a limitation when a representative democracy claims to represent the needs of all people in the society.


One limitation of democracy is that the right to vote requires no special skills or abilities. With few exceptions, all adults are able to vote, irrespective of their knowledge of the relevant issues. It was traditionally thought that the right to vote required wisdom and expertise, and should therefore be severely restricted. If the ignorant and ill-informed were allowed to vote, it was feared, anarchy would prevail. While such concerns seem somewhat overstated in the modern era, they nonetheless contain a kernel of truth. Most people in democratic societies are, by any standards, less than knowledgeable when it comes to often complex political issues. This can often lead to people not really knowing what they're voting for, with often disastrous consequences.
Another limitation of democracy is the status of those who hold minority opinions. In a democracy, decisions are based on the will of the majority. But where does that leave the minority? Decisions based on the will of the majority may very well be democratic, but that doesn't automatically mean that they're right. For instance, in the United States the vast majority of white Southern voters supported blatantly racist and discriminatory policies for many years. In one sense, this was democracy in action. Unfortunately, it also led to the perpetuation of a fundamentally unjust system which kept millions in a state of oppression.

Is the title "The Gift of the Magi" appropriate?

This would probably be a personal judgment call, as no one can dictate whether you should think the title of a story works or not. That being said, we can try to discuss this title within the context of the story to try to discern how it relates to the story itself and speculate as to why O. Henry might have chosen the title he did.
First of all, it's important to note that the magi is in reference to a story from the Bible about the wise men who bring gifts for the birth of Christ. However, at the end of the story, O. Henry invokes their example, citing the magi as the ones who "invented the art of giving Christmas presents," and he ties that example back to his main protagonists who live so many centuries removed: this is ultimately a story of sacrifice, of giving up your own precious possessions for the happiness of a loved one. Della sacrifices her hair so that she can get her husband a fob chain for his watch, and Jim sacrifices his watch for combs for his wife's hair.
To a cynic, this story would be a cruelly ironic one: each sacrifices for the other and is left with nothing. But that is not O. Henry's meaning, because for O. Henry, that act of sacrifice and devotion is far more powerful than any material possessions. In their willingness to sacrifice for one another, Della and Jim have been placed within a tradition that stretches back to the Magi themselves: they understand the true nature of gift-giving and the true value in it. Thus, O. Henry writes, "they are wisest. They are the magi."
With that being said, I would suggest that this particular title primarily works on the thematic and symbolic level rather than the literal. It's about the spirit of gift-giving, a spirit which Jim and Della embody, but this is a spirit which is, in some ways, larger than Jim and Della themselves. It inhabits the center of Christmas tradition, stretching all the way back to its earliest days.

When did Tom realize that he had to be a thoughtful and economic fighter?

Throughout his fight with Sandel, Tom King shows remarkable caution. After the bell rings, he doesn't leap out of his corner like his young opponent, eager and ready to fight. Instead, he advances but a short distance, acutely aware that, without proper training, and without enough food inside him, he has to make sure that every last step counts. Also, King had to walk two miles to get to the boxing ring, so it makes sense to stick to his policy of economy and expend as little energy as possible. Whatever happens, he must maintain his strength at all costs.
Sandel comes at King like a whirlwind, but his older and heavier opponent holds back, angering members of the crowd, who want to known why the old slugger isn't putting up more of a fight. But King knows what he's doing; he's an experienced fighter and sticks to his game plan for the rest of the fight. Sadly, it's not quite enough, and Sandel's youth and energy prevail as he defeats his aging opponent by a knockout. As he commiserates with himself, King feels sure that he would've beaten Sandel, and that his thoughtful, economic strategy would've succeeded, if only he had eaten a nice piece of steak beforehand.

What are the character traits of Mercutio in Romeo and Juliet? Provide textual evidence.

Romeo and Juliet was released as a quarto in the year 1597, making it one of Shakespeare’s earlier plays and part of the corpus called “Elizabethan” plays. The play’s plot was based on an earlier Italian story that was translated into English in the middle of the sixteenth century. The model version of this story didn’t include the character of Mercutio, who is thus a Shakespearean invention.
Mercutio belongs to neither the house of Montague nor the house of Capulet. He is a friend of Romeo and a relative of Prince Escalus of Verona. He is a cynic who is skeptical of love. When presented with the prospect of Romeo’s love for Juliet, he responds, “this drivelling love is like a great natural that runs lolling up and down to hide his bauble in a hole” (act 2, scene 4). Mercutio is himself detached from matters of love and is romantically unattached.
Mercutio might be described as immature, insofar as he is emotionally detached. Nevertheless, he is admired by Romeo. In act 1, scene 6, Romeo says to Mercutio, “believe me: you have dancing shoes / With nimble soles: I have a soul of lead / So stakes me to the ground I cannot move” (act 1, scene 4). Mercutio does not think that Romeo’s love is worthwhile, and Romeo admires his friend’s liberal philosophy.
In addition to being cynical and (arguably) immature, Mercutio is also a loyal friend. He fights with Tybalt (Juliet’s cousin) on behalf of Romeo and is fatally wounded in the process. Mercutio fights in Romeo’s stead because he is offended on behalf of his friend, whom Tybalt mistreats. Mercutio performs the ultimate act of friendship by dying for his friend.
Even in death, however, Mercutio remains a bit cynical. As he is dying, he says, “A plague o’ both your houses” (act 3, scene 1). Thus, he blames his death on the Capulets and Montagues—and perhaps he is right. Many scholars agree that Mercutio is a foil for Romeo. He is a loyal friend, a cynical skeptic who evidences a degree of immaturity, insofar as he is romantically unattached and (arguably) eager to settle disputes by dueling. The fact that Mercutio dies assigns him to a permanent state of immaturity and also, in some ways, validates his skepticism.

What impact does the dowry have on social class?

A dowry is usually an accumulation of goods or money that a family must present to a potential husband in order to secure their daughter a good marriage. Poor families spent years saving these items in order to see their daughter married well. It was a parent's wish that by saving these items, their child could perhaps rise in station to a better social status than the one into which she was born. However, as the life of a merchant or farmer in these times was often unstable, many times these items that were saved had to be sold to survive; thus, it was very hard for a poorer family to see their daughter rise in status, even from years of saving. The issue of dowry is also the reason why families in this society wanted sons; the more sons they had, the fewer dowries had to be put aside. This meant their accumulated wealth could be used for their own immediate advancement in society. However, for a family of many girls, the impact on wealth and status due to dowry was immense. Each girl needed a dowry and, as money for each daughter was put aside, their own social status lagged more due to lack of resources. In contrast, families who had many sons would often see their own social status grow as the son accumulated wealth from the woman he married. As an unmarried daughter without a proper dowry, the only way to rise in social status was to possess extreme beauty. Many wealthy men would marry girls with sparse dowries if they were particularly beautiful. This physical attribute could mean a good marriage for the daughter and a rise in social status for her family, even if the dowry itself had been small.


The paying of dowries is a common feature of traditional marriages. A dowry can be defined as a some of money or a piece of property brought by a bride to her marriage. The richer the bride's family, the larger the dowry, and the larger the dowry, the better the chance of marrying well.
In the status-conscious society portrayed in Nectar in a Sieve, the dowry is a crucial element in accentuating the differences between the classes. It's notable, for example, that Rukmani, the narrator of the story, ends up being married to a poor tenant farmer. The main factor here is not so much her lack of beauty, but rather her lack of a dowry. The implications are clear: if you are born poor in this society, you will remain poor. The dowry system thus perpetuates the existing rigidities of the class system, making social mobility almost an impossibility.

Saturday, August 3, 2013

What are the stages that make up the recognition scene?

Recognition is an Aristotelian concept in which a character suddenly realizes something he did not before, reinterprets things as they are based on that realization, and gains new insight into an antagonistic character. Also known as anagnorisis, recognition plays an important role in Shakespeare’s Othello.
The first stage of recognition in the play comes when Emilia reveals the truth about Desdemona’s handkerchief. After killing Desdemona, Othello argues with Emilia over whether his wife was unfaithful to him. Once Iago admits to Emilia that he did tell Othello that Desdemona cheated, she confesses:

O thou dull Moor! That handkerchief thou speak’st of
I found by fortune and did give my husband.
For often, with a solemn earnestness—
More than indeed belonged to such a trifle—
He begged me to steal it. (5.2.238-42)

In this moment, Othello discovers that Desdemona never gave Cassio the handkerchief, which was the only definitive proof Othello had of her infidelity.
Immediately, Othello exclaims in horror at having killed his wife based on false pretenses. He screams, “Are there no stones in heaven/ But what serve for the thunder?” (5.2.247-48). This represents the second stage of recognition. This causes a lot of grief for Othello.
The final stage comes when Othello is able to confront Iago, a man who manipulated Othello into murder. Othello demands that Iago explain his motives for what he did, but Iago refuses. Othello realizes that someone he once trusted was nothing but evil incarnate. He calls Iago a devil and a “pernicious caitiff” (5.2.334), which shows his newfound understanding of Iago’s true character.
The final part of Aristotle’s recognition is a deep insight into the self. Just prior to stabbing himself, Othello delivers a lengthy speech explaining how he wants to be remembered as:

one that loved not wisely, but too well.
Of one not easily jealous, but being wrought,
Perplexed in the extreme. (5.2.360-62)

This shows that Othello accepts blame for killing Desdemona, recognizing that Iago exploited Othello’s weaknesses in order to destroy him.

What characteristics make Flannery O'Connor a southern writer?

The identification of “southern writer” may be applied to any author who lives in, sets their works in, or writes about characters who hail from the US South. It is often applied to those authors who indicate that the Southern environment played a significant role in shaping those characters and who excel at evoking an atmosphere that seems uniquely Southern. For 20th century writers, this often includes evoking antebellum ideologies, emphasizing spirituality and death, and exploring the implications of unwholesome sexual activity or desire.
Flannery O’Connor created memorable characters, many of whom experience crises of faith, in a variety of Southern settings, especially small town and even more remote rural hinterlands. Their behavior is often so exaggerated and outlandish that they have been called “grotesques.” Writing about this classification in the essay, “The Fiction Writer and His Country,” she noted the preoccupation, often misplaced, on “monstrosities” and “everything deformed and grotesque.” These exaggerations often place O’Connor as second only to William Faulkner in the sub-genre of Southern Gothic fiction.
https://oxfordre.com/literature/view/10.1093/acrefore/9780190201098.001.0001/acrefore-9780190201098-e-304

https://www.britannica.com/art/American-literature/Southern-fiction

What is the theme of the chapter Lead?

Primo Levi's complex probing of the Holocaust, including his survival of Auschwitz and pre- and post-war life, is organized around indiv...